Winslow Homer's "Thanksgiving in Camp," was published Nov. 29, 1862, in Harper's Weekly. |
Reproduced in Harper’s Weekly, these works reinforced the romantic delusion of war as an exercise in camaraderie and gallantry. Drawn from imagination, Homer's cavalry and bayonet charges looked bold and dashing. He drew Christmastime mail call with Union
soldiers as wide-eyed as children. He depicted men at leisure gathered round a
sutler’s tent on Thanksgiving. He celebrated the songs the soldiers sang, from “The
Girl I Left behind Me” to “Dixie.”
Winslow Homer |
The artist’s beginnings and development as an artist are the
hallmarks of a special exhibition of his work at the Sterling and Francine Clark Art Institute in Williamstown, Mass. The show is on view till Sept. 8.
The museum, a gem in its own right, is undergoing major
renovation. Someone there made the wise decision to keep the cash flow going this
summer by hauling out and mounting the Clarks’ Homer collection. The couple had
an eye for Homer and the money to act on their impulses. They collected more than 200 works,
including drawings, oil paintings, watercolors, prints, sketches and correspondence.
Being an artist, even one as prolific and versatile as
Homer, was not an easy way to make a living. To eat, you had to sell pictures. The letters on display at the Clark show Homer as a hard-nosed businessman
in the American vein. In 1893, he wrote: “I will paint for money at any time.
Any subject, any size.” Even so, he did not achieve financial stability until he
was in in his 60s.
As much as I like his war scenes, my favorite Homer works
are the large oil paintings he made late in life at and around Prouts Neck, Maine. Years
ago, long before his studio and house there were open to the public, Wesley
McNair, my close friend and now Maine’s poet laureate, knew the fellow who took
care of these properties. He arranged for my wife and me to tour them. I had
seen Homer’s roiling seascapes by then, and walking along the ocean I felt in
the sights and sounds of the crashing waves Homer's excitement to paint them. Nothing
could come between the old artist and the elements.
Homer's "West Point, Prouts Neck," which is on display at the Clark. |
During the spring I had the privilege of seeing the American Civil War art show in Washington, D.C. It is on display at the Metropolitan Museum of Art in New York through Sept. 2. There are several Homers in this
show, including some wonderful paintings of African-Americans in the South
during the 1870s. I did not see Homer's trip south represented in the Clark
collection, but it is possible I missed something.
What is at the Clark is terrific, and the crowds last
Friday affirmed Homer’s place in the pantheon of American art. The Civil War
sesquicentennial is a great occasion to take in this master’s work, but give me Homer anytime.
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